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"The Egyptian Nonnus of Panopolis (5th century AD), author of both the 'pagan' Dionysiaca, the longest known poem from Antiquity (21,286 lines in 48 books, the same number of books as the Iliad and Odyssey combined), and a 'Christian' hexameter Paraphrase of St John's Gospel (3,660 lines in 21 books), is no doubt the most representative poet of Greek Late Antiquity. Brill's Companion to Nonnus of Panopolis provides a collection of 32 essays by a large international group of scholars, experts in the field of archaic, Hellenistic, Imperial, and Christian poetry, as well as scholars of late antique Egypt, Greek mythology and religion, who explore the various aspects of Nonnus' baroque poetry and its historical, religious and cultural background. Contributors are: Domenico Accorinti, Benjamin Acosta-Hughes, Gianfranco Agosti, Herbert Bannert, Alberto Bernabé, Pierre Chuvin, Claudio De Stefani, Jitse H.F. Dijkstra, Gennaro D'Ippolito, Filip Doroszewski, Riemer A. Faber, Roberta Franchi, Rosa García-Gasco, Camille Geisz, Daria Gigli Piccardi, Fotini Hadjittofi, David Hernández de la Fuente, Scott Fitzgerald Johnson, Troels Myrup Kristensen, Nicole Kröll, Anna Maria Lasek, Jane L. Lightfoot, Calum Alasdair Maciver, Enrico Magnelli, Laura Miguélez-Cavero, Peter van Minnen, Ronald F. Newbold, Robert Shorrock, Fabian Sieber, Christos Simelidis, Konstantinos Spanoudakis, Francesco Tissoni, Berenice Verhelst, and Mary Whitby."--

Nonnus, --- Criticism and interpretation. --- Epic poetry, Greek --- Classical literature --- Poésie épique grecque --- Littérature ancienne --- History and criticism --- Histoire et critique --- Poésie épique grecque --- Littérature ancienne

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Europa (Greek mythology) in literature. --- Classical literature --- Europe (Mythologie grecque) dans la littérature --- Littérature ancienne --- Themes, motives. --- Thèmes, motifs --- Europa (Greek mythology) --- Europe (Mythologie grecque) dans la littérature --- Littérature ancienne --- Thèmes, motifs --- Europa --- in literature.

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"Athenian comedy is firmly entrenched in the classical canon, but imperial authors debated, dissected and redirected comic texts, plots and language of Aristophanes, Menander, and their rivals in ways that reflect the non-Athenocentric, pan-Mediterranean performance culture of the imperial era. Although the reception of tragedy beyond its own contemporary era has been studied, the legacy of Athenian comedy in the Roman world is less well understood. This volume offers the first expansive treatment of the reception of Athenian comedy in the Roman Empire. These engaged and engaging studies examine the lasting impact of classical Athenian comic drama. Demonstrating a variety of methodologies and scholarly perspectives, sources discussed include papyri, mosaics, stage history, epigraphy and a broad range of literature such as dramatic works in Latin and Greek, including verse satire, essays, and epistolary fiction."--Bloomsbury Publishing Athenian comedy is firmly entrenched in the classical canon, but imperial authors debated, dissected and redirected comic texts, plots and language of Aristophanes, Menander, and their rivals in ways that reflect the non-Athenocentric, pan-Mediterranean performance culture of the imperial era. Although the reception of tragedy beyond its own contemporary era has been studied, the legacy of Athenian comedy in the Roman world is less well understood. This volume offers the first expansive treatment of the reception of Athenian comedy in the Roman Empire. These engaged and engaging studies examine the lasting impact of classical Athenian comic drama. Demonstrating a variety of methodologies and scholarly perspectives, sources discussed include papyri, mosaics, stage history, epigraphy and a broad range of literature such as dramatic works in Latin and Greek, including verse satire, essays, and epistolary fiction

Greek drama (Comedy) --- Latin drama (Comedy) --- Classical literature --- Comédie grecque --- Comédie latine --- Littérature ancienne --- History and criticism. --- Appreciation --- Greek influences --- Histoire et critique --- Appréciation --- Influence grecque --- History and criticism --- Comédie grecque --- Comédie latine --- Littérature ancienne --- Appréciation --- Greek drama --- Greek drama (Comedy) - History and criticism --- Latin drama (Comedy) - History and criticism --- Classical literature - Greek influences

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Classical literature --- Philosophy, Ancient. --- History, Ancient. --- Literature, Modern --- Littérature ancienne --- Philosophie ancienne --- Histoire ancienne --- Littérature moderne --- History and criticism. --- Classical influences. --- Histoire et critique --- Influence ancienne --- Littérature ancienne --- Littérature moderne --- Philologie classique --- Mélanges et hommages. --- Influence classique --- Cerasuolo, Salvatore

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Architecture, Classical --- Architecture, Ancient --- Architectural drawing --- Classical literature --- Architecture in literature --- Architecture antique --- Architecture antique --- Projets d'architecture --- Littérature ancienne --- Architecture dans la littérature --- Congresses. --- Congresses. --- History --- Congresses. --- Themes, motives --- Congresses. --- Congresses. --- Congrès --- Congresses --- Histoire --- Congrès --- Thèmes, motifs --- Congrès --- Congrès